Exhibition - Benny Andrews: Trouble

About the Event

In 2022, the Andrews-Humphrey Family Foundation, who oversees the Benny Andrews Estate, was selected to join the inaugural grantee cohort of Thought Leaders, comprised of fourteen visionary leaders undertaking ambitious institutional initiatives. Over the years, this collaboration seeded the possibility for new connections to be made with artist, activist, and educator Benny Andrews’ (1930–2006) multifaceted practice. Created in close dialogue with the estate, this exhibition combines Andrews’ extensive archive with a selection of his paintings and works on paper to reflect the fullness of the artist’s practice, life, and advocacy, and the ways they are intertwined. This is the first major showing of Andrews’ artwork and archives together, bolstered by extensive research from the estate and many collaborators who will shine new light on his legacy as the year unfolds.

The title of the exhibition stems from the last entry found in Andrews’ studio journal from 1965–1972, in which the artist describes the state of being in trouble as an expression of being alive-that to fully understand the creative process one must trace all of the elements that encompass the creative process. The experiments, the failures, and the unfinished and unresolved ideas indicate an artist is in pursuit of something more, and to be in trouble is to embrace the struggle and the vulnerability of the process. A human being, trying their best. In Andrews’ words, “...try to do what you want to do, and try as much as possible to do it for yourself, try to stay away from committing yourself to being anything except what you feel you want to be.”

Deeply self-reflective and voraciously observational, Andrews’ work captures his life and politics, his understandings of the art world and beyond, and most importantly, those he knew and those who mattered to him. With works and archival materials spanning four decades, Trouble demonstrates the various material strategies Andrews employed to get closer to his subjects, including himself. We are grateful for what Benny left for us all-a call to action, a call to pay attention, and a call to always ask for more.

As a collective endeavor, we’d like to thank The Andrews-Humphrey Family Foundation, The Estate of Mary Ellen Andrews, Nene Humphrey, Kyle Williams, Michael Rosenfeld Gallery, Scott Ponik, Lowery Stokes Sims, Nadia Scott, Adrianna Glaviano, BearBear, Scathain, Container Corps and Tradecraft.

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