Saturday, Dec 19, 2020 at 11:00am
Please call before attending any community events. It is likely that they will be postponed or canceled as a result of the coronavirus. You can find CDC coronavirus information at cdc.gov/coronavirus; AARP has additional resources at aarp.org/coronavirus.
Natural Flavor. Artificial Color.
Yellow No. 5 examines the transactional relationship between culture and consumerism and how they often work in tandem to conceal their connection. Tariqa Waters’ project-based, multi-disciplinary exhibition sees her collaborate with regional artists to explore the grab-and-go nature of material goods and how these products serve as armor to shield us from our intrinsically codependent relationship with consumerism—using artificial additives.
Artist/curator, Tariqa Waters’ whimsical, larger-than-life, pop-inspired work was first shown at BAM in the Bellwether 2018 exhibition. Her eight-foot-tall replica of a pink roll of Quilted Northern toilet paper featuring a self-portrait of an exhausted mother in hair rollers and a rain bonnet references a conglomerate of early childhood memories where urgency and vanity work in tandem to mask generational pain: the pink elephant in the room to match the towels.
For Yellow No. 5, Bellevue Arts Museum has commissioned new work from Waters and 10 additional artists. Each will come together with their own specific practices threading a common narrative about contemporary American culture through humor and caustic social commentary.
In describing her vision for the exhibition, Waters says, “How we reconcile our personal choices with our outside view of the world is worth exploring. America’s greatest privilege is the opportunity that we have to access one another’s cultures in appreciation rather than appropriation. As a result, we unknowingly blend experiences that shape the core of who we are with objects and spaces constructed without us in mind. Have we supported and represented one another merely through co-existing? How can we best lampoon cultural codependency while maintaining the ability to laugh at ourselves?”
Christopher Paul Jordan
About the curator & artist Tariqa Waters
Born in Virginia, Waters developed an early interest in oil painting. Self-taught, she started working as a muralist while in Sicily where she lived from 2003–2007. Returning to the States, she began exhibiting work in Washington DC and Atlanta. Tariqa relocated to Seattle in 2012 where she opened a gallery in the historic arts district of Pioneer Square showcasing underrepresented artists called, Martyr Sauce. Waters’ own artwork has been garnering support and critical acclaim in the region and abroad. In 2016, her popular solo exhibition, 100% Kanekalon: The Untold Story of the Marginalized Matriarch, exhibited at the Northwest African American Museum. In spring 2017 she was featured in issues of Rolling Stone France and Madame Figaro magazines, while that summer Martyr Sauce became a Cultural Partner to the Seattle Art Fair where Waters was a featured speaker. That same year Waters was nominated for the prestigious James W. Ray Distinguished Artist Award and she was awarded the Conductive Garboil Grant. In 2018, she received the Artist Trust Fellowship Award.
Exhibition Date: November 06, 2020 - April 18, 2021
Museum admission is Pay-What-You-Can and is generously underwritten by Overlake Medical Center and Clinics.
Admission is always free for members.
All visitors must book a time slot in advance—including BAM members and visitors with complimentary passes. This new requirement allows for proper social distancing between visitors and compliance with state-mandated capacity restrictions.
Reservations can be made online, in-person, or via phone. To make sure that you can visit the Museum at your preferred time, we strongly recommend making a reservation online before your visit.
Monday, Jan 25, 2021 at 2:00pm Eastern Time
Monday, Jan 25, 2021 at 4:00pm Eastern Time
Wednesday, Jan 27, 2021 at 10:00am Eastern Time
JOIN FOR JUST $16 A YEAR