Thursday, Apr 1, 2021 at 10:00am
Isamu Noguchi (1904–1988) was profoundly in sync with America’s mid-century obsession with the power of design to shape the modern world. Dual exhibitions Composition for Idlewild Airport and The Sculptor and the Ashtray testify to his interest in making sculpture everywhere out of everything.
In 1956, Noguchi was invited by the architects Skidmore, Owings & Merrill (SOM) to submit a design for a monumental sculpture for the new International Arrivals Building they were designing for New York’s Idlewild Airport, the first large-scale international airport in the world. Four years later, in a 1960 magazine profile of Noguchi written for The Palette, R. Buckminster Fuller seemed to acknowledge the appropriateness of Noguchi working in the context of an airport, stating, “… Isamu has always been inherently at home—everywhere. He has to-and-froed in his great back and front yards whose eastward and westward extensions finally merged in world encirclement … World airlines pilots … hold history’s travel records. But it is safe to say that Isamu Noguchi is history’s most traveled artist.”
Noguchi’s proposed design, a large, sky-gazing column, was not selected, and the commission went to his contemporary and long-time rival Alexander Calder, who proposed a massive mobile.
Composition for Idlewild Airport explores Noguchi’s design with a variety of related models, maquettes, archival photographs and documents. A highlight is the recently restored competition model Noguchi executed in plaster, as well as a derivative column he made in Greek marble, which was exhibited in his 1959 exhibition at Stable Gallery in New York. That piece, which remained in Noguchi’s collection but was broken at some point and left unrepaired in his lifetime, has also recently been conserved. The exhibition also features a copy of a model of the SOM-designed Lever Brothers Building, now known as Lever House, for which Noguchi designed an unrealized courtyard. That project was the seedbed for the idea Noguchi presented for the Idlewild commission and the inspiration for many stand-alone sculptures, including his variations on Constantin Brancusi’s Bird in Space, one of which, Bird B, is also shown.
Exhibition Date: February 12, 2020 – May 30, 2021
General Admission $10
Seniors (65+) $5
Students with valid ID $5
Free admission on the first Friday of every month. Tickets are released two weeks before each date. Free with ID for:
Children under 12
NYC public school students
Visitors with disabilities
Active duty military and their families (member of Blue Star Museums)
SNAP benefits recipients with EBT card or WIC card (member of Museums for All)
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